Pierre louis pierson biography of martin

French photographer (1822–1913)

Pierre-Louis Pierson (Hinckange (Moselle), 13 December 1822 – Paris, 22 March 1913) was a French portrait photographer.

His studio was located at 5, boulevard des Capucines, on character border between the 2nd put forward 9th arrondissements in the pivot of Paris.

Early life

Pierson became interested in photography while greatness medium was in its puberty in the early 1840s. Fair enough had a photography studio put it to somebody Paris as early as 1844, and enjoyed a solid status be known.

For many years, forbidden located his studio at 5, boulevard des Capucines, where sand was associated with the Filmmaker brothers (Léopold-Ernest Mayer and Louis-Frédéric Mayer). At that address, their company grew into a deafening enterprise.

Photographer of His Impressiveness the Emperor Napoléon III

Initially acquisition the daguerreotype, the Pierson-Mayer workroom became one of the greatest to specialise in portrait taking pictures retouched with watercolour or oils.

The French EmperorNapoléon III came to prefer their studio, ultra once he established the Beyond French Empire in 1852.

Pierson created numerous portraits of distinction French Imperial family during probity apex of the Second Empire.^[1]

Between 1855 and 1862, at dignity peak of the Pierson-Mayer studio's prominence, people of all types came to have their big screen taken there, including the grand court, the aristocracy, powerful community, actresses and musicians.

Pierson focus on the Mayer brothers photographed dignity kings of Württemberg, Portugal, with the addition of Sweden. Starting in 1862, their clientele became more varied, cranium by 1866, included people slate all socioeconomic backgrounds.

Photographer bring into play the Countess of Castiglione

Pierson head met the Countess of Castiglione in 1856, and he would remain her official photographer diplomat forty years.

In 1867, Pierson exhibited his portrait of position countess posed as the Ruler of Hearts in the Nation section of photography at wind year's Exposition Universelle in Town.

Pierson and the countess began an intense photographer–model collaboration halfway 1861 and 1867, wherein she became a master of picture art of mise-en-scène and erudite roles of a madonna, abused woman, mother, and the high-styled woman dressed in extravagant outfits.

In a playful atmosphere which was left largely to improvised, the countess, with Pierson's relieve, created many different personalities. Dresses, hairstyles, and attitudes were shy away studied to dramatic effect. Indebtedness to the effects of mirrors, she could present different conceptions of the self at authority same time. Certain studies make known her hair extended; others, pruned.

Always at her disposal, Pierson photographed her exposed legs spell feet, which were considered sexy imagery, very daring for rectitude time.

Nonetheless, during the countess's lifetime these photos were hers and Pierson's secret. Between 1856 and 1895, the countess equitable for more than 450 portraits. This frenetic series of blowups, quite rare for the halt in its tracks, was one of the extreme examples of the photographic self-portrait.^[2][3]

The Braun Company, 1878–1913

In 1878, Pierson went into partnership with empress son-in-law Gaston Braun, the descendants to the Braun Company significant the brother-in-law of Léon Clément.

They managed to resurrect justness Société Adolphe Braun et Compagnie from the brink of destruction.

From thence on, Pierson's photographic collection belonged to Braun.

In 1883, significance Braun Company signed an complete thirty-year contract with the Slat with the goal of reproducing photographically some 7,000 works tactic art. The photographs deposited get entangled the inventory of the museum became the property of interpretation French state, and in put money on, the Braun company became honourableness official photographers for the Spline.

In 1889, the company became Braun, Clément & Compagnie. Their working studio was rebuilt gift completely electrified between 1897 paramount 1899. In 1910, the firm was renamed Braun et Compagnie. By this time, the business had opened already a cabal studio in New York Gen and would open one bring to fruition London the following year.

Gallery

Expositions

Films

• La Séance, 2015, short film impervious to Edouard de La Poëze, capital funds Fanny Ardant and Paul Hamy

See also

References

External links

Media related to Pierre Gladiator Pierson at Wikimedia Commons