Ehlert lois biography of rory

(Lois Jane Ehlert)

Personal

Born November 9, 1934, in Work Dam, WI; daughter of Chase and Gladys (Grace) Ehlert; hitched John Reiss, 1967 (separated, 1977). Education: Graduated from Layton Academy of Art, 1957; University be taken in by Wisconsin, B.F.A., 1959.

Addresses

Agent—c/o Author Acquaintance, Harcourt Brace, 525 B St., Ste.

1900, San Diego, Idiolect 92101.

Career

Writer and illustrator. Layton College of Art Junior School, Metropolis, WI, teacher; John Higgs Factory, Milwaukee, WI, layout and contracts assistant; Jacobs-Keelan Studio, Milwaukee, WI, layout and design illustrator; backer illustrator and designer, 1962–.

Has also designed toys and party for children, a series lacking basic art books, banners inflame libraries and public spaces, posters and brochures, and sets mean the Moppet Players, a low-grade theater. Exhibitions: Creativity on Treatise Show, New York, NY, 1964; Society of Illustrators shows, 1971, 1989, 1990; International Children's Publication Exhibit, Bologna, Italy, 1979.

Member

American Organization of Graphic Arts.

Awards, Honors

Three money medals for outstanding graphic lively, a best-of-show citation, and xiv merit awards, Art Directors Cudgel of Milwaukee, 1961–69; five laurels of excellence, five merit acclaim, one gold medal, and put the finishing touches to bronze medal, Society of Act Arts of Milwaukee, 1970–72, 1976; Graphic Arts awards, Printing Industries of America, 1980–81, for Force posters; Paul Revere Award aim for Graphic Excellence, Hal Leonard Broadcasting Corp., 1983; National Endowment verify the Arts/Wisconsin Arts Board unobstructed, 1984; Design Award, Appleton Treatise Co., 1985; grants from River Arts Board, 1985, 1987; Stakes of Excellence citations, Art Museum Association of America, 1985, 1986, 1987; Best Children's Book citations, New York Public Library, 1987, for Growing Vegetable Soup, give orders to 1989, for Planting a Rainbow; Pick of the Lists citations, American Booksellers, 1988, for Planting a Rainbow, and 1989, in the vicinity of Color Zoo and Eating ethics Alphabet; Eating the Alphabet hand-picked among ten best books follow 1989 by Parenting; Caldecott Show partiality towards Book citation, American Library Company (ALA), 1989, for Color Zoo; Museum of Science and Effort book list of children's body of laws books inclusion, 1989, and Parents' Choice Award for paperback, 1990, both for Growing Vegetable Soup; Planting a Rainbow included complex John Burroughs list of class books for young readers, 1989; Notable Children's Book citation, ALA, 1989, and Boston Globe/Horn Book Honor Award, 1990, both pick Chicka Chicka Boom Boom, fail to notice Bill Martin, Jr., and Can Ar-chambault; Wisconsin Library Association quotation, 1989; Outstanding Science Trade Finished for Children citations, National Branch Teachers Association (NSTA), for Planting a Rainbow, and 1990, summon Color Farm;John Cotton Dana Stakes, Wisconsin Summer Reading Program, 1990; Color Farm and Fish Eyes named among best books stomachturning Parenting, 1990; Parents' Choice Devote awards for story book, 1990, for Chicka Chicka Boom Boom and Fish Eyes; Feathers stand for Lunch named among Redbook join best picture books, 1990; Lighten Best Illustrated Books designation, New York Times, and Certificate have fun Merit, Graphics Arts Awards, both both for Fish Eyes; Security of Excellence, Parenting, and NSTA Outstanding Science Trade Book reputation, both 1991, and Elizabeth Take Award, Wisconsin Library Association, Boston Globe/Horn Book Nonfiction Honor Seamless designation, and California Children's Transport Award for Nonfiction, all 1992, all for Red Leaf, Scared Leaf; Gold Award, Dimensional Illus-trators Awards Show, 1991, for Color Zoo; first place award rationalize Juvenile Trade Specialty, New Royalty Book Show, and Reading Black magic Award, Parenting magazine, both 1992, both for Circus; New Royalty Public Library Best Children's Books, Notable Book selection, ALA, additional Booklist Editors' Choice, all 1992, and Horn Book Fanfare listee, 1993, all for Moon Rope; Boston Globe/Horn Book Nonfiction Take Award, 1992, and NSTA Famed Science Trade Book, 1993, both for Feathers for Lunch; Get the better of Children's Books designation, Printing Effort of America, 1994, for Nuts to You!; Gold Seal Prize 1, Oppenheim Toy Portfolio, 1996, take Eating the Alphabet; New Royalty Show Award, 1996, for Snowballs; Best Books designation, Book Links, Reading Magic Award, Parenting arsenal, and Booklist Editors' Choice reputation, all 1997, all for Hands; Notable Children's Book citation, ALA, 2005, for Leaf Man; styled Wisconsin Notable Author, Wisconsin About Association.

D.H.L., University of River, Milwaukee, 1994.

Writings

SELF-ILLUSTRATED

Growing Vegetable Soup, Harcourt (San Diego, CA), 1987, reprinted, Red Wagon (San Diego, CA), 2004.

Planting a Rainbow, Harcourt (San Diego, CA), 1988, reprinted, Get your hands on Wagon (San Diego, CA), 2003.

Color Zoo, HarperCollins (New York, NY), 1989.

Eating the Alphabet: Fruits extort Vegetables from A to Z, Harcourt (San Diego, CA), 1989.

Color Farm, HarperCollins (New York, NY), 1990.

Feathers for Lunch, Harcourt (San Diego, CA), 1990.

Fish Eyes: Unblended Book You Can Count On, Harcourt (San Diego, CA), 1990.

Red Leaf, Yellow Leaf, Harcourt (San Diego, CA), 1991.

Circus, HarperCollins (New York, NY), 1992.

Moon Rope: Simple Peruvian Folktale, Spanish translation strong Amy Prince, Harcourt (San Diego, CA), 1992.

Nuts to You!, Harcourt (San Diego, CA), 1993, reprinted, Voyager (San Diego, CA), 2004.

Mole's Hill: A Woodland Tale, Harcourt (San Diego, CA), 1994.

Snowballs, Harcourt (San Diego, CA), 1995.

Under Fed up Nose (autobiography), photographs by Carlo Ontal, Richard C.

Owen (Katonah, NY), 1996.

Hands, Harcourt (San Diego, CA), 1997.

Cuckoo: A Mexican Folktale, Spanish translation by Gloria friend Aragon Andujar, Harcourt (San Diego, CA), 1997.

Top Cat, Harcourt (San Diego, CA), 1998.

Market Day: Nifty Story Told with Folk Art, Harcourt (San Diego, CA), 2000.

Waiting for Wings, Harcourt (San Diego, CA), 2001.

In My World, Harcourt (San Diego, CA), 2002.

Pie reveal the Sky, Harcourt (Orlando, FL), 2004.

Leaf Man, Harcourt (Orlando, FL), 2005.

ILLUSTRATOR

Patricia M.

Zens, I On the topic of Orange, F. Watts (New Royalty, NY), 1961.

Edward Lear, Limericks, False Publishing (Chicago, IL), 1965.

Mary Accolade. O'Neill, What Is That Sound!, Atheneum (New York, NY), 1966.

Mannis Charosh, Mathematical Games for Put the finishing touches to or Two, Crowell (New Royalty, NY), 1972.

Andrea Di Noto, The Great Flower Pie, Bradbury (New York, NY), 1973.

Vicki Silvers, Sing a Song of Sound, Roll Press, 1973.

Nina Sazer, What Carry on You Think I Saw?: Well-organized Nonsense Number Book, Pantheon (New York, NY), 1976.

Diane Wolkstein, The Visit, Knopf (New York, NY), 1977.

Jane J.

Srivastava, Number Families, Crowell (New York, NY), 1979.

Richard L. Allington, Shapes and Sizes, Raintree Publishers, 1979.

Bill Martin, Junior, and John Archambault, Chicka Chicka Boom Boom, Simon & Schuster (New York, NY), 1989.

Gene Baer, Thump, Thump, Rat-a-tat-tat, Harper (New York, NY), 1989.

Bill Martin, Junior, and John Archambault, Words, Around Simon (New York, NY), 1993.

Sarah Weeks, Crocodile Smile: Ten Songs of the Earth as depiction Animals See It, Harper Highball (New York, NY), 1994.

Bill Histrion, Jr., and John Archambault, Chicka Chicka Sticka Sticka: An ABC Sticker Book, Little Simon (New York, NY), 1995.

Stuart J.

Spud, Jr., A Pair of Socks, HarperCollins (New York, NY), 1996.

Ann Turner, Angel Hide and Seek, HarperCollins (New York, NY), 1998.

Bill Martin, Jr., and Michael Sampson, Chicka Chicka, 1, 2, 3, Simon & Schuster (New Royalty, NY), 2004.

Also illustrator and author of "Scribbler's" products for Court Publishing.

A selection of Ehlert's chronicles are housed in the Kerlan Collection at the University grip Minnesota.

Adaptations

Chicka Chicka Boom Boom was adapted for a video employing Ehlert's illustrations, Weston Woods, 2000.

Sidelights

Known for creating vibrant collage distress that features colored paper dispatch found objects, Lois Ehlert has entertained and educated children cargo space over four decades.

Initially victualling arrangement illustrations for the books blond others, Ehlert began writing other half own material to accompany round out artwork in the mid-1980s favour has created books on subjects such as birds, flowers, climate ailing, work, retellings of folktales, extract the alphabet. These books involve pictures that feature bold colours and clear, crisp shapes.

Ehlert wrote and illustrated Color Zoo, which was named a Caldecott Honor Book in 1989. Regular year later, her illustrations helped Chicka Chicka Boom Boom, inevitable by Bill Martin, Jr., tell off John Archambault, win a Boston Globe/Horn Book Honor Award. Elhert has gone on to conquer numerous other awards for move up artwork and books.

In fraudster article for Horn Book, she discussed her attraction to representation books and described her work: "I didn't want to bait gimmicky; I wanted to change, to get the essence break on what it was that was so exciting. I hope I'm still exploring that idea. Distracted don't see any sense tight creating books otherwise.

I enthusiasm a lot of joy come down of it."

As a child, Ehlert received both the encouragement playing field the environment to develop sting interest in art. Her jocular mater, who liked to sew, situated her with scraps of construction, and her father gave round out wood from his woodworking projects. They also provided her interview a place to work near setting up a card board in a little room dwell in their house.

She spent dexterous great deal of time recoil the table, both as tidy small child and through lofty school, working on projects focus helped her to develop disintegrate talent. Finally, she sent numerous of her work to goodness Layton School of Art charge received a scholarship that allowable her to become a votary there. After taking the spread with her to Layton, she made it into a grip table by placing a aching breadboard on top of minute and then giving the foil a slant by propping organized tin can underneath it.

Picture table has traveled with supreme during her career as break off artist. "It's got holes drilled in it and ink pie-eyed on it and cuts escape razor blades," she noted inconvenience Horn Book, "but I importunate use it." Ehlert explained give somebody the job of Edie Boatman of the Metropolis Journal Sentinel, "Fabric was racy to me because of tight tactile sense and the colourful colors.

When I was teenaged, construction paper was wimpy gravel color. I always made effects out of stuff other punters would throw away. Part pageant it was economic. I've universally seen more of a take the edge off in design—my eyes are unconventional from other people's. I non-standard like to see colors that on the subject of people don't see."

After graduating devour art school in 1957, Ehlert did graphic design work captivated illustrated some children's books.

She did not enjoy working exercise picture books, however, mainly now she could not approve position final color selections for assemblage illustrations when her books went to the printer. In hold-up, she stopped working on get the message books and concentrated on evocation design projects. But her companions eventually convinced her to shipment back to illustrating children's books.

In Horn Book she acknowledged: "I began to see diversity emphasis on graphics in narrate books, and I thought consider it the time might be readily understood for my work. I could see that there was ingenious lot more care being free in the production of beginner books."

After providing artwork for repeat children's books, Ehlert decided reveal try both writing and illustrating a book of her stock.

While working as a selfemployed graphic designer, she created Growing Vegetable Soup, a book become absent-minded combines pictures and words just a stone's throw away show the steps in-volved weigh down growing a vegetable garden. Proliferate she wrote and illustrated Planting a Rainbow, which tells influence story of a mother slab a child who cultivate expert flower garden.

Both of these books show Ehlert's passion backing using bold colors. Andrea Barnet noted in the New Dynasty Times Book Review that Ehlert's "colors are tropical, electric boss hot—the grape purples and concupiscent pinks children tend to judge when they paint. Often she pairs complementary hues … round on startling effect, giving her illustrations a vibrant op-art feel, a-okay visual shimmer that makes them jump off the page."

After consummation success with Growing Vegetable Soup, Ehlert took a class afterwards the University of Wisconsin avoid found new ways to contemplate books by using such attentiongetting techniques as cutting holes stem the pages and using diverse combinations of light and unilluminated colors in the illustrations.

She made use of methods go wool-gathering she learned in this caste in Color Zoo, a textbook that introduces children to organized wide range of colors give orders to geometrical figures through the piedаterre of different-shaped holes cut provide sturdy paper and placed skirmish top of a design. Hose down new cutout shape—circle, square, triangle—is decorated with the features produce different animals which make readers think of the whole division as a tiger, then pure mouse, and then a chap.

Ehlert repeats this routine tally up two more sets of shapes and ends Color Zoo interchange a summary of all marvel at the shapes and colors shabby in the book. Ehlert reprises this technique with Color Farm, another award-winning title in which she "uses an array assess brilliant graphics with carefully arranged die-cuts to introduce geometric shapes," according to Horn Book essayist Mary M.

Burns.

For another self-illustrated work, Feathers for Lunch, Ehlert regularly used numerous pieces lady paper to create collages focus tell the story of spruce hungry cat at mealtime wander chases after a dozen spirited. A bell, worn around picture cat's neck, alerts the liable of his presence. Ehlert's curtail is accompanied by a nursery rhyme text, a list of description birds that are presented, endure printed representations of their calls.

In order to create spruce book that was both helpful and attractive, she presents probity birds in natural settings meet flowers that are harmonious exempt the birds' actual colors. Because she wanted to make write that her collages of birth birds were the right emblem and sizes, she checked them against the skins of tough kept at the Field Museum in Chicago.

Ehlert also wanted conform make life-size pictures of interpretation birds for the pages discern Feathers for Lunch, but walk meant that she also abstruse to make a cat go off was life-size.

Instead of irksome to make such a all-encompassing book, Ehlert decided to suggest only parts of the bloke on certain pages and become replace him entirely with representation "JINGLE JINGLE" of his phone on others. Such practice assessment routine in Ehlert's books. "If I say something with cruel, I don't need to exhibit it with the art, crucial vice versa." she wrote do Horn Book, later noting: "I really use typography as openminded another design form, another talk about of the art."

In Fish Eyes: A Book You Can Off On Ehlert uses the cryptogram and shapes of sea creatures in order to teach spawn about arithmetic.

Holes cut person of little consequence the pages encourage youngsters assume touch the book while they learn about numbers by supplement fish. Ehlert also puts reeky type on blue pages, anxious that children will find loftiness subtle, hidden text. She explained in Horn Book: "I on purpose didn't want that design article to be dominant because Hysterical already had a dominant concept.

So I worked on nuts layout, and then I ordinary in front of a unexpurgated mirror to see how hurried I had to come stopper the mirror before I could read that second line. Uproarious wanted the type to nurture a surprise to a baby discovering it. I try extremity work on a lot grapple different levels in every paperback. Some things are more design than others." Ehlert's efforts were rewarded by Andrea Barnet, who wrote in the New Royalty Times Book Review that Fish Eyes has "enough novelty come upon hold a child's interest, gift enough complexity to sustain patronize readings."

Other animals are served raze by Ehlert in Circus, Deranged to You!, Top Cat, forward Waiting for Wings.

Hugo integrity elephant, Fritz the wonder move, and Samu, the fiercest cat in the world are evenhanded part of the amazing zoo she presents in Circus, capital book which is "a peak joyous use of the graphic-art style which Lois Ehlert continues to expand and refine," according to Horn Book critic Margaret A.

Bush. With Nuts touch upon You! Ehlert presents a impertinent squirrel who gets braver nearby braver as it approaches ending opening in an apartment barometer and finally goes inside. Horn Book reviewer Ellen Fader baptized this an "imaginatively designed book," calling special attention to rectitude title page and verso which were camouflaged to look plan tree bark.

A reviewer supplement Publishers Weekly felt that Nuts to You! is a "work of extraordinary visual splendor pertain to an effectively simple, active plot."

In Top Cat Ehlert features deft feline who rules the pole until a striped kitten begets an appearance. At first peeve and spitting at the babe, Top Cat finally figures arrange that the kitten is manuscript to stay and makes rank best of the situation fail to notice becoming a teacher and exponent to the younger pet.

"Children and other feline fans prerogative quickly warm to this spirited story of rivalry and acceptance," wrote a contributor for Publishers Weekly. Reviewing the same appellation in Booklist, Linda Perkins celebrated that "Eh-lert's distinctive collages draw a remarkable range of declaration and movement and are logical to tickle funny bones."

A romance takes center stage in Waiting for Wings, "a marvelous rise of the butterfly life cycle," according to a reviewer unjustifiable Horn Book, and one renounce will "engage children curious search out a seemingly magical process." Improve this 2001 title Ehlert accompanies her usual cut-paper illustrations professional simple rhymes in large grimy letters.

"Ehlert again spreads have time out creative wings to deliver that inventively designed picture book," eminent a contributor to Publishers Weekly. Tracing the metamorphosis of nobility caterpillar into the graceful momentary insect readers will recognize chimp a butterfly, Ehlert creates unadorned "beautifully woven blend of information," according to Lisa Gangemi Krapp, writing in School Library Journal, and an "original and intense introduction," as Booklist reviewer Carolyn Phelan observed.

For the illustrations collective Red Leaf, Yellow Leaf most recent Snowballs, among other titles, Ehlert constructs her characteristic collages snivel only out of layered crimson paper, but also from be too intense objects such as ribbons, seeds, bottle caps, twigs, and get flustered of string and clothing.

"Only an artist as gifted monkey Ehlert could take so worn out a topic as building trim snowman and make it brand fresh as—well, new-fallen snow," remarked a Publishers Weekly reviewer about Snowballs. The same critic christened the book a "joyful become more intense inventive book." In Cuckoo, Ehlert retells a folktale about rank evolution of the vain out of one\'s gourd.

"Sombreros off to this different artist for yet another fantastic work," wrote a contributor apply for Publishers Weekly. Carolyn Phelan, re-examine Cuckoo in Booklist, called magnanimity book an "exhilarating adaptation" conform to "arresting artwork, some of [Ehlert's] best to date."

Ehlert finds inducement in native and folk cultures for her illustrations in a handful of her books.

For character bilingual Moon Rope: A Peruvian Folktale she draws on designs in ancient Peruvian textiles, adornment, ceramics, and even architecture, long forgotten Mole's Hill: A Woodland Tale gains inspiration from the decoration designs of Native Americans. Joke Moon Rope, a retelling pay for a Peruvian folk tale, Devil talks Mole into climbing patch up a braided grass rope block him—a rope he has drugaddicted to the moon.

As Cheat climbs, he keeps his in high spirits upward, but timid Mole keeps looking back to the Field until he falls, thus explaining his preference for life intricate solitary tunnels. A critic realize Kirkus Reviews felt that Moon Rope "may be [Ehlert's] handsomest book yet," and appraised leadership work as "altogether outstanding."

Mole's Hill, a Seneca Indian tale, abridge a "whimsical story of success the might of an antagonist through inge-nuity" according to a- reviewer for Publishers Weekly.

High-mindedness same reviewer also applauded Ehlert's illustrations, in which she "achieves dazzling effects with simple geometrical shapes and strong, pure hues." Fox and Mole are hold it once again in that story, in which Fox practical so frustrated at having belong walk around Mole's hill focus he sends Raccoon and Wretch to tell her to make public out.

However, Mole uses safe cleverness to defeat Fox, unreserved the hill and planting seeds to create such a comely spot that Fox cannot signify himself to destroy it.

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In a Horn Book review, Margaret A. Bush further praised Ehlert's illustrations in Mole's Hill, which depict the bloom and trees of Wisconsin woodlands "as primitive abstractions in tribe art style." Bush concluded ditch the book is "vivid swallow spare … a feast transfer the eye."

In Market Day: A- Story Told with Folk Art, Ehlert's celebration of Latin America's rural markets, she follows straight peasant family's day at trade.

Her story is accompanied induce illustrations reflecting the traditional come first folk art of Guatemala, Bolivia, Peru, and Mexico, as excellent as from farther afield. Shirley Lewis, reviewing Market Day bayou Teacher Librarian, noted that Ehlert's artwork "blazes through this comely tour."

With Hands Ehlert celebrates much crafts as gardening and converge through the use of photo-collage.

The easy text is rich from the point of viewpoint of a child who watches his father creating things consign his workshop and his be silent sewing wonderful creations. Booklist planner Stephanie Zvirin felt that Hands "is full of lovely surprises," a "thoughtfully designed book, fantastic for lap sharing." A coverage to Ehlert's own parents, both of whom enjoyed working reach their hands and who pleased Ehlert in her art occupation, Hands grew out of mammoth earlier project "to create clean up portrait of someone without reason photographs" of that person, tempt the author/illustrator told Connie Physicist in a Publishers Weekly talk.

Instead of portraits, Ehlert uses mementos such as pigskin preventable gloves, screws, and a crash ruler to call up high-mindedness sense of that person. Coming the realm of the triviality bit book, Hands employs die-cut pages, including one with the hint of a tin box tie in with screwdrivers inside. More tools look up to the trade pop up here this innovative book.

A Publishers Weekly critic noted that Ehlert "works visual magic" in that "inventive effort that deserves bibelot less than a big hand."

Ehlert links many of her favourite things together via abstract allusion to create the artwork construe In My World. Her "precise, die-cut figures … create benumbing visuals that tell a interpretation and make sense on both sides of the page," declared Kay Weisman in Booklist.

Honesty picture book superimposes familiar shapes, such as birds, fish, with the addition of butterflies, die-cut over designs entice Ehlert's signature bright colors. According to Joanna Rudge Long lure Horn Book, "the vibrant colours and lively three-dimensional effects possibly will well inspire children … cling experiment with overlaying patterns unacceptable colors."

In an interview on depiction Harcourt Publishers Web site, Ehlert explained why In My World contains so many images outsider nature.

"I'm continually amazed strong the diversity and order recognize the natural world," she wrote. "I write and illustrate untrue myths about common things that domineering people encounter in their commonplace lives. I'm espe-cially drawn achieve color." Later in the grill, she talked about the plan for the title. "In Discomfited World was designed for spiffy tidy up young person, a child think it over might not yet know be that as it may to read.

The book gawk at be read visually as be successful as verbally—two different experiences intertwined in a 'first' book."

Pie concern the Sky also contains sprinkling of the natural world. Say publicly narrator does not quite count on it when Dad calls integrity tree in the backyard trim "pie tree." But in respecting the tree over the seasons, the narrator observes all influence animals that live in geared up, as well as the sizeable cherries the tree bears keep in check the summer.

"Throughout, an reduction of words and the narrator's chipper tone keep Ehlert's sight on track," wrote a connoisseur for Publishers Weekly. According abut Carolyn Phelan in Booklist, Ehlert's "main text [is] short prosperous well suited to reading aloud." School Library Journal contributor Corrina Austin wrote that "each all-embracing is an amazing work have a good time art on its own," stand for concluded: "Children will clamor nurse Pie in the Sky.

Tempt Horn Book reviewer Susan Possessor. Bloom quipped, "In luscious influential colors, collagist Ehlert struts restlessness stuff."

"Whenever I see a comely leaf, I have to strike it up. I can't edifying myself; it's something I've look all my life," Ehlert explained in an interview for significance Harcourt Publisher Web site.

Wander habit became the inspiration ration Leaf Man, an "eye-popping book," according to Ilene Cooper stop in midsentence Booklist. The story traces blue blood the gentry paths blowing leaves can outlook while being windborne in leadership fall, and Ehlert's illustrations net comprised of leaf collages. "When I began thinking about invention Leaf Man, I carried spruce plastic bag with me, collection up treasures wherever I went," Ehlert explained, noting that she collected leaves from such varied spots as Kansas City, Town, New York, and Washington, DC, as well as in yield own neighborhood.

"Ehlert combines fresh collage artwork, effulgent colors, attend to an inventive design to generate an eye-catching picture book," wrote Joy Fleishhacker in School Reflect on Journal. A Publishers Weekly essayist commented that "Ehlert sparks breather foliage flight of fancy have under surveillance her snazzy leaf collages," reach a Kirkus Reviews contributor held the book "excellent to pass away aloud and to look calm many times over." As Horn Book reviewer Joanna Rudge Stretched commented, "both craft and dream are sure to inspire emulation."

Although Ehlert wants children to discover from her books, she does not think of herself introduce an educator.

As she familiar in Horn Book, "it's 1 being a grandmother in fine way—setting down something that brawn, if I'm lucky, be lauded after I'm gone. And further to communicate what I believe is important. Look for those birds! Plant a garden guzzle a tree! They are become aware of homely, ordinary subjects—yet spiritual." Much concerns have made Ehlert given of the key illustrators adherent her generation.

"There is unadulterated sense of adventure, fun, presentday experimentation in all of Ehlert's books that inspires and encourages readers to try their washed out artistic experiments," concluded a St. James Guide to Children's Writers essayist in a critical appraise of the author/illustrator's work. "Yet, her books are infused tweak an artistry and design, impressive a careful attention to carefulness that makes them much further complex that they at cap appear."

Biographical and Critical Sources

BOOKS

Authors hark back to Books for Young People, Tertiary edition, Scarecrow Press (Metuchen, NJ), 1990.

Children's Book Illustration and Design, edited by Julie Cummins, Read of Applied Design (New Dynasty, NY), 1992.

Children's Books and Their Creators, edited by Anita Sil-vey, Houghton (Boston, MA), 1995.

Children's Writings Review, Volume 28, Thomson Storm (Detroit, MI), 1992.

Cummings, Pat, Talking with Artists, Bradbury (New Dynasty, NY), 1991.

Ehlert, Lois, Under Futile Nose, photographs by Carlo Plump, Richard C.

Owen (Katonah, NY), 1996.

St. James Guide to Low-grade Writers, 5th edition, St. Outlaw Press (Detroit, MI), 1999.

PERIODICALS

Booklist, Oct 15, 1992, p. 423; Advance 1, 1993, p. 1226; Amble 15, 1994, pp. 1366-1367; Dec 1, 1994, p. 675; Dec 1, 1995, p. 640; Sep 1, 1996, p. 121; Apr 1, 1997, Carolyn Phelan, examine of Cuckoo: A Mexican Folktale, p.

1330; November 15, 1997, Stephanie Zvirin, review of Hands, p. 558; May 15, 1998, p. 1633; August, 1998, Linda Perkins, review of Top Cat, p. 2014; July, 2000, proprietress. 2048; March 2, 2001, Carolyn Phelan, review of Waiting tend to Wings, p. 1276; December 1, 2001, Stephanie Zvirin, review vacation Waiting for Wings, p.

658; May 1, 2002, Kay Weis-man, review of In My World, p. 1520; February 15, 2004, Carolyn Phelan, review of Pie in the Sky, p. 1062; June 1, 2005, Ilene Actor, review of Leaf Man, possessor. 1796.

Horn Book, May-June, 1989; July-August, 1989; January-February, 1991, Mary Collection. Burns, review of Color Farm, p.

55; November-December, 1991, Lois Ehlert, "The Artist at Work: Card Tables and Collage," possessor. 695; March-April, 1992, Margaret Unblended. Bush, review of Circus, owner. 189; November-December, 1992, pp. 732-733; May-June, 1993, Ellen Fader, study of Nuts to You!, proprietress. 315; July-August, 1994, Margaret Span.

Bush, review of Mole's Hill: A Woodland Tale, p. 461; January-February, 1996, pp. 61-62; September-October, 1996, p. 613; September-October, 1997, pp. 556-557; March-April, 2001, study of Waiting for Wings, proprietor. 346; July-August, 2002, Joanna Rudge Long, review of In Free World, p. 446; July-August, Susan P.

Bloom, review of Pie in the Sky, p. 436; September-October, 2005, Joanna Rudge Chug away, review of Leaf Man, owner. 563.

Journal Sentinel (Milwaukee, WI), Tread 7, 2003, Edie Boatman, "Getting Personal with Lois Ehlert."

Kirkus Reviews, August 1, 1991, review perfect example Red Leaf, Yellow Leaf, owner.

1019; September 1, 1992, con of Moon Rope: A Peruvian Folktale, p. 1128; February 15, 2004, review of Pie quandary the Sky, p. 176; Sept 1, 2004, review of Hands, p. 864; August 1, 2005, review of Leaf Man, owner. 847.

New York Times Book Review, May 20, 1990, Andrea Bar-net, review of Fish Eyes: Spruce Book You Can Count On, p.

40; October 25, 1992, p. 28; September 17, 2000, p. 33.

People, November 28, 1994, p. 35.

Publishers Weekly, October 13, 1989; February 12, 1992, Connie Goddard, "Alive with Color: Contain Interview with Lois Ehlert," pp. 18-19; August 17, 1992, study of Moon Rope, p. 499; February 15, 1993, review outline Nuts to You!, pp.

372-373; February 21, 1994, review fanatic Mole's Hill, p. 252; Oct 16, 1995, review of Snowballs, p. 60; January 20, 1997, review of Cuckoo, p. 401; June 30, 1997, review perceive Hands, p. 76; August 3, 1998, review of Top Cat, p. 84; October 18, 1999, p. 86; September 4, 2000, p. 110; April 2, 2001, review of Waiting for Wings, p.

63; February 18, 2002, review of In My World, p. 94; March 29, 2004, review of Pie in goodness Sky, p. 61; July 11, 2005, review of Leaf Man, p. 91.

School Library Journal, Nov, 1991, p. 94; April, 1992, pp. 90-91; October, 1992, proprietress. 102; April, 1993, p. 96; May, 1994, p. 92; Nov, 1994, p. 461; November, 1995, p.

65; December, 1996, pp. 112, 116; March, 1997, owner. 174; December, 1997, p. 88; September, 1998, p. 184; July, 2000, p. 71; April, 2001, Lisa Gangemi Krapp, review ingratiate yourself Waiting for Wings, p. 129; May, 2002, Rachel Fox, dialogue of In My World, proprietor. 112; February, 2003, Lee Lager, review of Mole's Hill, proprietor.

96; April, 2004, Corrina Austin, review of Pie in loftiness Sky, p. 109; November, 2005, Joy Fleishhacker, review of Leaf Man, p. 89.

Teacher Librarian, Jan, 1999, p. 42; June, 2000, Shirley Lewis, review of Market Day: A Story Told reduce Folk Art, p. 50.

ONLINE

Harcourt Owner Web site, http://www.harcourtbooks.com/ (June 22, 2006), interview with Ehlert.